Architectural significance

Occupying an entire city block on the north side of the Federal Triangle, the Old Post Office faces Pennsylvania Avenue, the ceremonial link between the Capitol and the White House. It shows a mature version of the Romanesque Revival style popularised by the architect H. H. Richardson in the late nineteenth century.

The clock tower and roofline of the Old Post Office, with the clock face, belfry pinnacles, dormers and conical corner turrets
The clock tower and roofline of the Old Post Office, with the clock face, belfry pinnacles, dormers and conical corner turrets. Photo: G. Edward Johnson, CC BY 4.0, via Wikimedia Commons.

An eclectic Romanesque Revival

The building's massive scale, rustication, arched windows and ornament evoke the Romanesque Revival, while a range of complementary features enrich it: Byzantine sculptural capitals, French Gothic dormers and sculpture, and French Renaissance detailing. The eclectic effect creates a visual vitality that is now regarded as a virtue along Pennsylvania Avenue's mostly Classical Revival corridor. Our profile of Willoughby J. Edbrooke places it among his other work.

Granite walls, steel frame

Sheathed in granite from Vinalhaven, Maine, and set on an iron and steel superstructure, the nine-storey building is described as the first steel-frame building erected in Washington. Unlike other tall buildings of its day, its granite walls, about five feet thick, are self-supporting, while steel girders carry the interior floor beams. As a fire-proofing measure, each steel and iron structural member was encased in a terracotta shell.

The Pennsylvania Avenue front

Along Pennsylvania Avenue three large semicircular Romanesque arches frame the principal entrance, ornamented with columns, capitals, mouldings and richly foliated spandrels. Rock-faced rustication on the first storey and mezzanine contrasts with the smooth upper walls, where vertically stacked bays rise to a continuous springing course and wide arches at the fifth storey. The sixth and seventh floors, set off by a stringcourse, are composed of narrow two-storey window units divided by twin-columned mullions and capped by arcades. At the top, a wide dentiled cornice recalls the machicolations of medieval fortifications.

One of the great granite entrance arches, with richly carved mouldings and foliage
One of the great granite entrance arches, with richly carved mouldings and foliage. Photo: Bmzuckerman, CC BY 4.0, via Wikimedia Commons.
Clustered granite columns with carved Byzantine-style capitals at the base of an entrance arch
Clustered granite columns with carved Byzantine-style capitals at the base of an entrance arch. Photo: Bmzuckerman, CC BY 4.0, via Wikimedia Commons.

The clock tower

The north facade is divided into three vertical sections defined by its recessed centre. There a lofty clock tower projects forward and rises about 315 feet to a hipped roof with pinnacles at the belfry. Tall stone pilasters support the clock face, which is simply framed by a Roman arch. Above it, the observation level is pierced by three large arched openings that offer some of the best views of the city. The east and west wings project slightly, with corners embellished by soaring pinnacles with conical roofs, and the steep slate roof is pierced by stone-clad dormers topped with finials.

The great light court

The most remarkable feature inside is the nine-storey light court under an enormous skylight that floods the interior with daylight. When it was built it was the largest uninterrupted interior space in Washington. The renovation completed in 1983 uncovered the skylight, which had been covered over, and added a glass-enclosed elevator on the tower's south side so that visitors could reach the observation level.

Looking up through the skylight of the light court to the clock tower above
Looking up through the skylight of the light court to the clock tower above. Photo: Cory Hartman, CC BY-SA 3.0, via Wikimedia Commons.

Materials and structure

Exterior
Granite from Vinalhaven, Maine
Frame
Iron and steel, encased in terracotta for fire-proofing
Walls
Self-supporting masonry about five feet thick
Height
Nine storeys; tower about 315 feet
Roof
Steep slate with stone-clad dormers
Interior
Nine-storey light court under a skylight